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by rudrendra Kashyap - Sunday, 31 August 2014, 11:40 AM
  A Confronted with an intoxicating scene of enviable excess and success, the visitor to ‘Street & Studio: An Urban History of Photography’ will surely identify with that waiter.
B To view the show not as a triumph but solely as a site of squandered opportunity is, however, to succumb to the false dichotomy suggested by its title: for these are triumph and waste simultaneously.
C Its ultimate failure is the inevitable culmination of a long history of victories and successes.
D Let’s start, like the show, a long way back, in the last decade of the 19th century, with one of these early successes.

choose correct one